He shoves me from his shop before barring the door.ĭredge plumbs the depths of our instinctive fear of the ocean and the unseen things that waft around down there in the dark. The fishmonger’s face betrays a disturbing glee when I hand it over to him, then falls as he holds the oceanic aberration to his ear to hear its whispers. After a couple of days, though, I catch something that’s … wrong, a mess of scales curled around a repulsively enormous single eye. The vessel can’t go far, but there are mackerel and cod within easy reach of the port and its lighthouse I’m warned not to stay out after dark as the rocks can be treacherous, looming suddenly out of the dark and crashing against the hull. An effect perhaps overused in the time period, resulting in width and all that harmonically phasing goodness.Heading out as the sun rises in a battered old fishing boat, everything seems peaceful. DimensionĪ processed warp created by processing sounds through vintage modulation equipment such as a Chorus (Dimension C/D). CalibrateĪ processed warp created by running sounds through slightly saturated and un calibrated tape resulting in a sound similar to a worn out VHS tape. AliasĬreated by altering the bit depth and clock-rate of sounds to introduce aliasing artefacts indicative of older technology. This is the sound as it was recorded ReflectĬreated using period reverbs with genre defining gates to create abruptly ending tails. A series of basses from Trevor Horn's personal collection, recorded in his studio, utilising techniques made famous through his career as a producer and performer.Ī Bosendorfer Grand Piano, recorded in Trevor Horn’s studio with a bright, pristine and unmistakably poppy sound.Ī collection of curated synth presets, straight from Trevor Horn's archives, perfectly accompanied by sounds created by the Spitfire Audio team.Īccess Trevor Horn's private sample archives, from vintage drum machines, to tape-saturated percussion hits.Ī selection of stingers, perfect for making iconic transitions.
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